The trial essays

The trial essays This disturbing and vastly influential novel has been interpreted on many levels of structure and symbol; but most commentators agree that the book explores the themes of guilt, anxiety, and moral impotency in the face of some ambiguous force. Joseph K. is an employee in a bank, a man without particular qualities or abilities. He could be anyone, and in some ways he is everyone. His inconsequence makes doubly strange his arrest by the officer of the court in the large city where K. lives. He tries in vain to discover how he has aroused the suspicion of the court. His honesty is conventional; his sins, with Elsa the waitress, are conventional; and he has no striking or dangerous ambitions. He can only ask questions, and receives no answers that clarify the strange world of courts and court functionaries in which he is compelled to wander. The plight of Joseph K., consumed by guilt and condemned for a crime he does not understand by a court with which he cannot communicate, is a profound and disturbing image of man in the modern world. There are no formal charges, no procedures, and little information to guide the defendant. One of the most unsettling aspects of the novel is the continual juxtaposition of alternative hypotheses, multiple explanations, different interpretations of cause and effect, and the uncertainty it breeds. The whole rational structure of the world is undermined. Is it not better to fall into the hands of a murderer than into the dreams of a lustful woman? Friedrich Nietzsche, Also Sprach Zarathustra Chapter 1: The Arrest Conversation with Frau Grubach Then Frulein Brstner Joseph K., our hero, wakes up the morning of his thirtieth birthday expecting his breakfast to be brought to him. What he gets instead are two warders, Franz and Willem, telling him he's under arrest. He protests some, demanding to see their boss, at first thinking it must be a ...

How to Copyright a Book Understanding Copyright Law as an Author

How to Copyright a Book Understanding Copyright Law as an Author How to Copyright a Book: Understanding Copyright Law as an Author Knowing how to copyright a book - the right way - is something that scares the crap out of most authors!After all, if you get it wrong, someone could steal your work and pass it off as their own. Its practically an authors worst nightmare for good reason.A lot of us get caught up in a confusing haze of copyright laws, infringement, and wondering how to stay out of hot water with the law and angry lawyers (okay, maybe it’s not that dramatic) while also protecting our book babies. Learning how to copyright a book can help alleviate all of that worry.With the explosion of self-publishing, authors must be aware of what they can and can’t do when it comes to quoting, borrowing, and publishing works from other authors. Well give you all the information and resources you need to protect yourself and your own work from being misused or stolen while keeping you from committing the same crimes against your fellow authors.Heres everything you need to know for how to copyright a book:Steps for copyrighting your booksCreate your copyright pageAdd disclaimers to your book copyrightFiction copyrightingNonfiction copyrightingMemoir copyrightingUnderstand copyrighting legal terms9 common book copyrighting questionsWe’ll also look at the most frequently asked questions authors ask when it comes to copyright concerns, for both their own works and when borrowing from other sources.It all begins with creating the copyright page in your book.NOTE: We cover everything in this blog post and much more about the writing, marketing, and publishing process in our VIP Self-Publishing Program. Learn more about it hereHow to Copyright a BookEvery author needs to copyright their book. This process shouldnt take more than 15 minutes and its very easy with our steps.Heres are the steps to copyright your book for peace of mind:Go to the Copyright.gov portalOn the left box, select Literary WorksNavigate to Register a Literary Work on the right sidebarSelect either new user or login with your accountIf youre a new user, fill out your informationNavigate to Copyright Registration on the left and select Register A New ClaimSelect Start RegistrationFill out the copyright formPay your $85 copyright fee to complete registrationSubmit your finished manuscript to the U.S. Copyright OfficeThats it!Copyrighting your book is much easier than it seemsCreate Your Copyright PageThe copyright page will appear in your book right after the title page and just before the table of contents. The copyright page needs to include some essential information in order to copyright your book.The main components of your copyright page are:The copyright notice. This has the little  © symbol or you can use the word â€Å"copyright.† So it would look like this:  ©2018 Jane DoeThe year of publication of the bookThe name of the owner of the works, which is usually the author or publishing house nameOrdering informationReservation of rightsCopyright noticeBook editionsISBN NumberYour website (You need a site where they can learn more about you, your other books, and other opportunities.)Credits to the book (cover designer, editor)DisclaimerDisclaimers When Copyrighting Your BookYou may not think you really need a disclaimer but its essential for protectingyourself and potentially others.So how does a simple sentence or two do this?If you are writing a book on health and fitness, success as an entrepreneur, providing financial advice- anything that readers could fail at- an extended disclaimer is something you should consider.If you give advice on earning a million dollars this year, and the reader ends up losing money, you could be blamed for their misfortune because of a promise you made. Consider putting an extended disclaimer in your book that comes after the copyright jargon to protect your opinions, advice,and information.In other words, tell readers that they are reading your book and applying your advice at their own risk. The thing to be aware of that most authors don’t realize is that these don’t have to be boring. On the contrary, the more personality these have, the more likely they’ll be read. A disclaimer is meant to protect you, but it can’t hurt if your audience actually reads it.Helen Sedwick did a great job collecting examples of authors who got creative with their disclaimers and made their work all the better for it. Let’s take a look at some specific examples of different types of disclaimers for different types of books.#1 Fiction Copyright DisclaimerThe typical disclaimer you’ll find in works of fiction?The characters in this book are entirely fictional. Any resemblance to actual persons living or dead is entirely coincidental.How could this be â€Å"livened† up? See how Thomas Wolf in A Man in Full, acknowledges that parts of his story are from real life:This novel’s story and characters are fictitious. Certain long-standing institutions, agencies, a nd public offices are mentioned, but the characters involved are wholly imaginary.Or Margaret Atwood in Cat’s Eye tries to dispel readers’ assumption that the book is the alter-ego of the writer:This is a work of fiction. Although its form is that of an autobiography, it is not one. Space and time have been rearranged to suit the convenience of the book, and with the exception of public figures, any resemblance to persons living or dead is coincidental. The opinions expressed are those of the characters and should not be confused with the author’s.If you’ve written about a prominent figure that people might be familiar with and don’t want confusion over whether you’re now writing history or still sticking with fiction, you can approach it similar to D. M. Thomas dealt with using Freud as a character in The White Hotel:The role played by Freud in this narrative is entirely fictional. My imagined Freud does, however, abide by the generally kno wn facts of the real Freud’s life, and I have sometimes quoted from his works and letters, passim. The letters . . . and all the passages relating to psychoanalysis . . . have no factual basis.Heres an example of what your book copyright page would look like for a fiction book.#2 Nonfiction Copyright DisclaimerThe typical disclaimer you’ll find in works of nonfiction?The advice and strategies found within may not be suitable for every situation. This work is sold with the understanding that neither the author nor the publisher are held responsible for the results accrued from the advice in this book.However, Rebecca Skloot’s The Immortal Life of Henrietta Lacks found a way to get her disclaimer to speak to the honesty of the text:This is a work of nonfiction. No names have been changed, no characters invented, no events fabricated.A nonfiction book copyright page looks like this:#3 Memoir Copyright DisclaimerThe typical disclaimer you’ll find in memoirs ?This book is memoir. It reflects the author’s present recollections of experiences over time. Some names and characteristics have been changed, some events have been compressed, and some dialogue has been recreated.But in The Boy’s Life by Tobias Wolf, he buries his disclaimer in his acknowledgments. As he thanks those who read drafts of the book, he says:I have been corrected on some points, mostly of chronology. Also my mother claims that a dog I describe as ugly was actually quite handsome. I’ve allowed some of these points to stand, because this is a book of memory, and memory has its own story to tell. But I have done my best to make it tell a truthful story.This is what a copyright page looks from our own student, Nadine Blase Psareass memoir Hope Dealers, that you can emulate if youre writing a memoir:How to Copyright a Book: Familiarize Yourself With Legal TermsI know, I know†¦we would rather write books, rake in the cash, and sign autographs than worry about technical legal jargon.I get it. It can seem boring but the better you understand how copyright law works, but the more you know, the more time you can spend writing without wondering, â€Å"Is this legal?† Here are some legal terms to keep you informed on your rights as a self-publisher and protect your works:Copyright infringement: is the use of works protected by copyright law without permission, infringing certain exclusive rights granted to the copyright holder, such as the right to reproduce, distribute, display or perform the protected work, or to make derivative works. The copyright holder is typically the work’s creator, or a publisher or other business to whom copyright has been assigned. Copyright holders routinely invoke legal and technological measures to prevent and penalize copyright infringement.Intellectual property (or â€Å"IP†): is a category of property that includes intangible creations of the human intellect, and primarily enco mpasses copyrights, patents, and trademarks. It also includes other types of rights, such as trade secrets, publicity rights, moral rights, and rights against unfair competition. Artistic works like music and literature, as well as some discoveries, inventions, words, phrases, symbols, and designs can all be protected as intellectual property.Public Domain Work: refers to works whose exclusive intellectual property rights have expired, have been forfeited, have been expressly waived, or are inapplicable. For example, the works of Shakespeare and Beethoven, and most early silent films are in the public domain either by virtue of their having been created before copyright existed, or by their copyright term having expired. Some works are not covered by copyright, and are therefore in the public domain- among them the formulae of Newtonian physics, cooking recipes, and all computer software created prior to 1974. Other works are actively dedicated by their authors to the public domain; some examples include reference implementations of cryptographic algorithms, the image-processing software ImageJ, created by the National Institutes of Health, and the CIA’s World Factbook. The term public domain is not normally applied to situations where the creator of a work retains residual rights, in which case use of the work is referred to as â€Å"under license† or â€Å"with permission†.Plagiarism: is the â€Å"wrongful appropriation† and â€Å"stealing and publication† of another author’s â€Å"language, thoughts, ideas, or expressions† and the representation of them as one’s own original work.First Amendment (Amendment I): to the United States Constitution prevents Congress from making any law respecting an establishment of religion, prohibiting the free exercise of religion, or abridging the freedom of speech, the freedom of the press, the right to peaceably assemble, or to petition for a governmental redress of g rievances. It was adopted on December 15, 1791, as one of the ten amendments that constitute the Bill of Rights.Fair use: in its most general sense, a fair use is any copying of copyrighted material done for a limited and â€Å"transformative† purpose, such as to comment upon, criticize, or parody a copyrighted work. Such uses can be done without permission from the copyright owner. In other words, fair use is a defense against a claim of copyright infringement. If your use qualifies as a fair use, then it would not be considered an infringement.Libelous writing: can be personal libel or trade libel, which is also known as â€Å"product disparagement.† Product disparagement can include a product, service or entire company. Libelous statements, whether against persons or products, are published statements that are false and damaging. Slander is the same as libel in most states, but in spoken rather than written form. The terms â€Å"libel† and â€Å"slander† are often subsumed under the broader term â€Å"defamation.† It is a tort (a wrongful act) to harm another’s reputation by defaming them.Before you publish your next book, take a few minutes to read over this â€Å"brief† report from the United States Copyright Office.You can also check out this handy guideline for authors from Wiley on what needs permission vs. what you can use without asking.When in doubt, consult with legal counsel or take the time to research the material you are either protecting or planning to borrow from another source. The time invested could save you an embarrassing or costly situation down the road. Knowing what you can and shouldn’t do is a critical part of the publishing business. When you write and publish your own works, you are now in business for yourself, and business owners protect their property by learning how to copyright a bookthe right way. Dont make things harder for yourself!Like this post? Sign up below for a FREE video course and learn how to go from blank page to bestseller in 90 days!How to Copyright a Book: The 9 Most Common QuestionsNowadays, with the massive expansion of self-publishing, it is more important than ever for authors, artists, and creatives putting their work out there to ensure that it is fully protected. When we borrow work from other authors, living or dead, we have to consider:What can I actually use?When is permission needed?Here is the golden rule when it comes to copyright laws: Never assume that anything is free!Everything out there, including on the internet, has been created by someone. Here are common questions authors have about protecting themselves, their works, and others they may have quoted in their books:#1 Do I have to register my book before it is copyrighted?Your book is legally copyrighted as soon as it is written.But, to scale up your legal rights and protect your material to the fullest extent, register your book with the Federal Copyright Offi ce. On the chance someone does attempt to pirate your book or portions of it, registering with the US Copyright Office will give you greater leverage if it comes to action being taken.#2 How many words can I quote from another book or source?Generally speaking, there are no set rules on how much you can actually â€Å"borrow† from existing works. But, it’s best to exercise common sense here and keep it short, as a general rule under 300 words.Paul Rapp, a lawyer specializing in intellectual property rights, says that, â€Å"if the quote drives your narrative, if you are using an author’s quote in your argument, or if you are giving an opinion on an author’s quote, then it is considered fair use.†What is fair use? A legal concept that allows the reproduction of copyrighted material for certain purposes without obtaining permission and without paying a fee or royalty. Purposes permitting the application of fair use generally include review, news rep orting, teaching, or scholarly research. If you use something published by someone else with the sole purpose of monetary gain, this doesn’t constitute fair use.#3 Can I write about real people?Especially in works of nonfiction, real people are often mentioned to express an opinion or as an example to clarify the writer’s fact or opinion. Generally, you can use the names of real people as long as the material isn’t damaging to their reputation or libelous. Stick to the facts and write about what is true based on your research.#4 Can I borrow lyrics from songs?Stephen King often used song lyrics for his books including Christine and The Stand. He obtained permission for these works. King says, â€Å"Lyrics quotes in this book [Christine] are assigned to the singer most commonly associated with them. This may offend the purist who feels that a song lyric belongs more to the writer than the singer.†Basically, song lyrics fall under strict copyright even if it is just a single line used. Try to get permission if you use a song. You can contact the American Society of Composers, Authors and Publishers (ASCAP) or Broadcast Music, Inc. (BMI). Once you find the rights owner, you have to ask for permission through writing.#5 Do I need permission to borrow material from a book that is over 100-years-old?Once the copyright on a book or material has expired, or the author has been dead for seventy years, the work enters into the public domain and you can use it without permission or licensing. BUT this does vary from country to country. You can check the copyright office in the US here.#6 Are authors liable for content used in a book?Yup.Even with traditional publishing houses, the author is still responsible for the content written and used in the book.In fact, traditionally published authors usually have to sign a waiver that removes the publisher from any liability pertaining to the material the author used if the writer included that ma terial without proper permission. And you already know, as a self-published author, you’re on your own.#7 If I use an inspirational quote from another writer or famous person, do I need permission?You don’t need permission to use quotes in a book provided that you credit the person who created it and/or spoke the quote.For example: â€Å"Is all that we see or seem but a dream within a dream† –Edgar Allan Poe#8 What is the best way to protect my work from being stolen?Your work is copyrighted as soon as it is written.But you can register your work with the US copyright office. If you have a blog where you also post content, you need to have a Terms Privacy disclaimer on your page. This would preferably be at the top where it is easy to see, although many writers and bloggers include this at the bottom of every page.You should also include your Copyright on your blog that protects your content from being â€Å"copied and pasted† into another site without permission or recognition.#9 A royalty free stock photo means that I can use it for free and don’t have to get permission, right?Wrong.Most stock photos are copyrighted, even if they appear in search engines and we can easily download or copy them. If you grab a photo off the net and think you can slap it on a book cover or use it for free in your book, think again. It’s recommended you purchase photos through sites such as Shutterstock or Depositphotos.What to do Next?So now youve got all the information you really need when it comes to knowing how to copyright a book. But where do you go from here?#1 Join your FREE trainingTheres really no limit to the amount of knowledge you can have when it comes to getting a book written, marketed, and published.Thankfully, Chandler Bolt has a wealth of information that hes giving away FOR FREE!

Views of Cultural Ecologists on Religion and Magic Research Paper

Views of Cultural Ecologists on Religion and Magic - Research Paper Example The history of religions tends to adopt an evolutionary view where it appears that the horizon of religion developed from the earth to heavens. The evolutionary approach mainly supported by cultural ecologists tends to support the connection between religion and ecology. Cultural ecologists focus on discovering the similarities and differences of different cultures with the interest of understanding why people live the way they do and why certain things are unique to some cultures. Ecologists present different views on religion with a particular consistent disagreement with the thinking of outsiders that the more isolated tribe style cultures believe in magic. This paper shows how cultural ecologists view religion and magic, how they relate, as well as why some cultures might believe in one, or both. According to Debnath (2003), the oldest layer of religion, under headings, such as natural religion, hunting magic and agrarian religion, is intimately linked to the relationship between humans and nature. One of the renowned cultural ecologists, Marvin Harris takes pleasure in finding concrete ecological pragmatism everywhere in the history of religion, from Aztec human sacrifice to the Hindu veneration of the cows. The ritual engagement with nature, whether in hunting magic or agricultural fertility rites, often contains an element of magic and thus the attempt to gain power nature. Cultural ecologists view magic as an attempt to gain power over nature, a concept that greatly differs from the religious views where nature appears to influence the way things are and they are not. From an ecological perspective, magic remains an old dream of humankind which has been partially fulfilled in the modern error (Olson, 2010). Religion and magic are viewed as cognitively instrumental, where they provide an explanation of the world in terms of superhuman agency to believers and by extension a religious or magical technique by which they can exert significant control over th eir surroundings. A distinctive difference between religion and magic revolves around the concept of reason and faith in which the reason belongs to the latter while faith and rituals belong to religion (Debnath, 2003). Reasons Why Some Cultures Accept either Religion or Magic or Both Cultural ecologists assert that good or evil fortune follows from one’s choices of habitation. For example, Feng-shui is recognized to have a strong magical or religious component, in which it was believed that cutting down the Feng-shui grove often translates into a disaster to town, and the more old the trees were found the more good luck it conferred to the town residents (Sutton & Anderson, 2009). The magical component associated with the tree is widely accepted in south China, serving to persuade millions of peasants to sacrifice personal gains for the long-term community benefit. This example explains the connection between magic and environment and its role in the conservation of the ecos ystems. The Chinese community widely accepts the concept of magic than any other part of the world owing to its close association to their environment and the perceived benefits in believing in certain magic components in the ecosystem. In many case, religion is widely accepted due to its detachment from the individual figure compared to magic which focuses on the capabilities of the person performing the magic. In addition, the concept of realism and the basis fiction that surround magic further

Important cultural meaning of bad men Essay Example | Topics and Well Written Essays - 250 words

Important cultural meaning of bad men - Essay Example ld the cultural values and have given prime importance to music in the form of folk tales, jokes, songs and so forth in their daily routines and used for work, play, communicating, even when they are in happy or in sad mood.2 They created the animal characters in the form of tricksters.3 This has been the source of inspiration to the masses. The African Americans considered the trickster, such as Railroad Bill, the heroic figure who had the ability to influence their lives and have strived hard to flout the whites and bring in the reformation. The longest lived bad men were Stagolee who conflicted with Billy Delyon which symbolizes the fight of black man’s struggle for equality with whites.5 Despite of the injustices, the traditional practices were strictly followed by the superhuman figures, such as John Henry, banjo player, who had a beautiful baritone voice, and was the strongest, fastest, most powerful man working on the rails as a â€Å"steel driver†. 6Shine who was a Stoker in the ship had the ability to save the lives of hundreds from the sunken Titanic and to oppose the powerful opponents. 7 There were super heroes who emerged victorious in the racial advancement. Jack Jackson worked hard to make the existence in the boxing world and became the first black heavy weight champion. 8 On the other hand, Joe Louis became a popular figure in boxing and was able to surpass the color discrimination. This way the integration of race was reformed by the sporting world. 9 It was rightly said by Lawrence Levine, â€Å"In the twentieth century the pantheon of heroes became more varied and versatile, reflecting the greater diversity and heterogeneity that were the fruits of freedom, mobility and urbanization.† 10 Levine, Lawrence W. â€Å"Black Culture & Black Consciousness†, Books.google.co.in. Web.

Human Resource Development Essay Example for Free

Human Resource Development Essay In both definitions we see that learning was in some form mentioned as being part of human resource development, and from further understanding of HRD we see that learning is important in all aspects of HRD efforts. According to the text Human Resource Management by Jon M. Werner and Randy L. DeSimone they defined learning a relatively permanent change in behavior, cognition, or affect that occurs as a result of one’s interaction with the environment. There are three basic principles of learning contiguity, the law of effect and practice. Practice is stated to be repeating the event with the hope that it will increase the strength of what is being taught. For example in any sporting area practice is needed to strengthen the players and so to in the business environment. In understanding how practice works in order to maximize learning we look at the primary area of the training design under the categories of conditions of practice and retention of what is learned. There are at least six issues that relate to practice and learning they are; active practice, massed versus spaced practice sessions, whole versus part learning, overlearning ,knowledge of result and task sequences. From the six issues the three that I would considers using are; Active practice proposes that the individual who is being taught should be given the opportunity to repeatedly perform the task or use the knowledge being learned. For example surgeons, rescue squad, pilots, just to name a few should be given avenues to practice hat they learned. Same goes for training the mechanics to install the automobile air-conditioners using the new installation procedures, if the mechanics are allowed to practice the theory that was taught it would leave room for better understanding of what is required of them and result in better outcomes on the jobs confirming , that the new procedures was learnt. Massed versus spaced practice involve whether the training should be conducted in one session or divided into segments separated by a period of time. Studies have shown that spaced practice sessions lead to better performance and longer retention but are more effect for difficult and complex tasks, however the task at hand isn’t difficult and can be taught in one session. Overlearning is practice beyond the point at which the material or task is mastered. This is another condition in which the trainers can implement when training the mechanics to install the air conditioners using the new procedures, giving the mechanics enough opportunities to keep practicing the task will soon become simple The goal goes beyond the trainee learning the task or material but also retaining it. There are three additional issues that influence retention; these are the meaningfulness of the material, the degree of original learning and interference. The more meaningful and factual the information is the easier it is learned and remembered and since the new procedure is important for the installation of the air conditioners the mechanics would seek more interest and retain the information effectively , as they would see it fit to keep their jobs and acquire more customers. Secondly for the mechanics to continually retain the information being learned there should be little or no interference or it should be taken into consideration when training. This meaning that sometimes the knowledge of the old procedure might affect the way the mechanics learn the new procedure also if new steps are added while installing the air conditioner in a different vehicle it can cause confusion in the learning process. The case of the new Employee Assistant Programme Act, since it is an act where information may be presented in a document and the managers can always refer to it when needed, I would suggest using the conditions of active practice. This being the Employees Assistance Programme Act would be something that they would have to implement everyday so it would certainly give the managers the opportunity to perform the task and use the knowledge being used. Also because there is no real step by step process of implementing the act then the conditions of a massed practice session can be put in place, for example a meeting can be held where all managers are taught and given an explanation of the act and why it is necessary, as well as the document of the act where they can refer to when needed. By giving an explanation and ensure the managers what is the purpose and the reason for the Employee Assistant Programme Act , it leaves room for better retention since they are aware of the meaningfulness of they are being taught. Also distinguishing the difference from similar acts can reduce the interference of confusion and misunderstands. In conclusion if the these conditions and retentions are used in the training design both the employees and the managers can experience maximum learning and show that in order to learn practice is required. Read more: http://www. businessdictionary. com/definition/human-resource-development-HRD. html#ixzz2MgJJc071

Physics of Downhill Skiing :: physics sport sports ski skiing

Skiing is a sport enjoyed by millions of people around the world. The adrenaline rush that skiers get from flying down the slopes is unmatched, but all too often the cause for this rush is overlooked. Physics plays a crucial role in skiing and without it, there would definitely be no skiing. The concept of skiing is simple. You attach a ski to each foot, go to the top of a hill or incline, and slide down, turning side to side. From this basic concept of sliding down an inclined plane, a worldwide sport has evolved. In this paper, I hope you gain a useful knowledge of the vitally important role that physics plays in the sport of downhill skiing. m = mass of skier g = gravitational force a = acceleration mu = kinetic friction coefficient  · Inertial Forces = (m)(a)  · Frictional Force = (mu)(m)(g)(cos theta)  · Graviational Force = (m)(g)(sin theta) Gravity is the force that holds the skier to the ground and is also what pulls the skier down the hill. While gravity is acting straight down on the skier, a normal force is exerted on the skier that opposes gravity. As the skier skis down the hill, he or she will encounter an acceleration. This acceleration is due to gravity caused by a change in the skiers velocity. The mass of a skier is different for every person and is easily calculated by multiplying a skiers weight in kilograms by the gravitational force exerted by the earth. These forces and more are explained throughout the rest of this paper. Gravity is a force that everybody is familiar with and is one of the simplest to understand. We all know that if you were to throw a ball in the air it would fall right back down. This force called gravity exerts a constant acceleration of 9.81 m/sec2 towards the center of the earth. Gravity is what pulls you down the hill. While gravity is being exerted downward, a normal force is being exerted on the skier opposing gravity. This normal force acts perpendicular to the earth's surface, and in this case the mountain on which the skier is skiing. Lets say for instance the skier was on a flat surface, both gravity and the normal force would be acting on the skier but in opposite directions, thereby canceling each other out and resulting in no movement. However when a skier is on the mountain, the combination of gravity and the perpendicular normal force result in the skier being pulled down the mountain at the same angle as the mountain’s slope.

Common risks, threats, and vulnerabilities Essay

1. What are some common hazards. menaces. and exposures normally found in the LAN-to-WAN Domain that must be mitigated through a superimposed security scheme? A superimposed security scheme will embrace Rouge protocols such as Bit excavation and P2P. Unauthorized web scanning and examining. and unauthorised entree to the web. 2. What is an Access Control List ( ACL ) and how is it utile in a superimposed security scheme? An ACL is a Control list which will let or deny traffic or devices based on specifications defined in the ACL. This ACL by and large is applied and configured on Firewalls. It is utile in a superimposed security attack because from an External point of view it become the first line of defence when hosts attempt to link to the web. 3. What is a Bastion Host? Provide an illustration of when a Bastion Host should be used and how. A â€Å"Bastion Host† is a host that is minimally configured package firewall incorporating merely necessary software/services. These are besides referred to as bare metal or â€Å"lite† and is managed to be overly secure through a minimalist attack. All traffic coming is directed to the Bastion or â€Å"screened host† . Outbound traffic is non sent through it. The most common menace to the Bastion Host is to the operating system that is non hardened with extra security applications. 4. Supply at least two illustrations of how the enclave demand to put a firewall at the margin can be accomplished. a. Puting a firewall between two routers and another firewall before a DMZ would be the best demand pick to utilize 5. What is the difference between a traditional IP Stateful Firewall and a Deep Packet Inspection Firewall? a. IP Stateful firewall review takes topographic point in bed 4. when traffic efforts to track the firewall a requested a beginning port and a finish port brace become portion of the session leting the beginning to have information. Stateful review firewalls solve the exposure of allowing all the high numbered ports by making a tabular array incorporating the outbound connexions and their associated high numbered port ( s ) . b. Firewalls utilizing deep package review provides sweetenings to Stateful firewalls’ Stateful firewall is still susceptible to assail even if the firewall is deployed and working as it should be. By adding application-o riented logic into the hardware. basically uniting IDS into the firewall traffic. Deep Packet Inspection uses an Attack Object Database to hive away protocol anomalousnesss and onslaught traffic by grouping them by protocol and security degree. 6. How would you supervise for unauthorised direction entree efforts to sensitive systems? Acl’s and audit logs can be leveraged to corroborate which station is trying to do the unauthorised connexion. 7. Describe Group ID ( Vulid ) : V-3057 in the Network IDS/IPS Implementation Guide provided by DISA? A direction waiter is a centralised device that receives information from the detectors or agents 8. What is the significance of VLAN 1 traffic within a Cisco Catalyst LAN Switch? Describe the exposures associated if it traverses across unneeded bole. VLAN1 traffic will incorporate the STP or crossing tree traffic. CDP traffic. and Dynamic trunking traffic to call a few. If unneeded traffic traverses the bole it could do the switch instability doing it to travel down or go inoperable. 9. At what logging degree should the syslog service be configured on a Cisco Router. Switch. or Firewall device? Syslogs traps should be configured at degrees 0-6. Loging Level 2 10. Describe how you would implement a superimposed. security scheme within the LAN-to-WAN Domain to back up authorised remote user entree while denying entree to unauthorised users at the Internet ingress/egress point. To implement a superimposed security scheme for distant user entree. we would get down with an application based login. such as a VPN -SSL hallmark so pair it with LDAP on a radius or Tacacs+ service. LDAP is bound to Active directory which will leverage Role based entree controls to look into group permissions. 11. As defined in the Network Infrastructure Technology Overview. Version 8. Let go of 3. describe the 3 beds that can be found in the DISA Enclave Perimeter layered security solution for Internet ingress/egress connexions ( i. e. . DMZ or Component Flow ) . 3 types of beds found in the Enclave Perimeter Component Flow include the Network layer security. Application layer security and security of the existent applications themselves. 12. Which device in the Enclave Protection Mechanism Component Flow helps extenuate hazard from users go againsting acceptable usage and unwanted web sites and URL links? The Web Content Filter 13. True or False. The Enclave Protection Mechanism includes both an internal IDS and external IDS when linking a closed web substructure to the public Internet. True. it is required to hold external IDS every bit good as internal IDS. Requirements include holding a firewall and IDS in between thecyberspace confronting router and the internal. â€Å"premise† . and router. 14. True or False. Procuring the enclave merely requires perimeter security and firewalls. False. procuring the enclave includes a superimposed firewall attack both on the interior and outside of the web. Sensitive informations can be secured from other sections of the internal web ( internal ) every bit good as Internet links ( external ) . 1 5. What is the primary aim of this STIG as is relates to web substructures for DoD webs? STIG. or Security Technical Implementation Guide. is an intended usher to diminish exposures and potency of losing sensitive informations. The usher focuses on web security. giving security considerations for the enforced web. The STIG besides covers the degree of hazards and the associated acceptable degrees to said hazards.